Feruza Kobilova
Senior Lecturer, National Institute of Fine Arts and Design named after Kamoliddin Bekhzod Tashkent, Uzbekistan
DOI : https://doi.org/10.47191/ijmra/v4-i11-28Google Scholar Download Pdf
ABSTRACT:
This article examines the evolution of the formation and development of the art of scenography of puppet theaters in Uzbekistan, the factors of their development during the period of Independence on the example of the National Puppet Theater of Uzbekistan. In shaping the worldview of the young generation, which is the future of our country, modern puppet theater plays a leading role in educating them towards spiritual maturity. Today, a lot of attention is paid to this field of art, and a number of decisions are made for the development of the industry. The main idea of the independence of our country is to help the future generation to grow up spiritually mature, patriotic and educated with all our might. Puppet theater directing, dramaturgy, acting skills, and especially scenography are important with their unique solutions. The reason is that the development trends of modern puppet theater directing and scenography are considered on the basis of three periods, firstly, critical thinking, secondly, religious and mythological themes in the national spirit, and thirdly, analysis of contemporary works.
Keywords“Big Ivan”, scenography, V.Akudin, S.Sedukhin, constructivism, conceptualism, dynamic aspect, stage space.
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VOLUME 04 ISSUE 11 NOVEMBER 2021
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