Shixnazar Rakhimberganovich Jumaniyazov
Associate Professor, PhD Faculty of Fine Arts
The National Institute of Fine Art and Design named after Kamoliddin Bekhzod
DOI : https://doi.org/10.47191/ijmra/v4-i7-13Google Scholar Download Pdf
ABSTRACT:
This article discusses the important features and principles of the use of color in monumental paintings. There is also talk about the importance of colors, the level of vitality, the creation of colors. In order to properly guide the work of young artists, the future teacher must master the basics of painting and know the theory of color. At the same time, as a result of mastering the knowledge of the theoretical foundations of real painting and practical exercises, it is possible to teach literate ways of painting. To achieve this, it is necessary to study the science of color in depth and to address these issues repeatedly in the process of practical work.
KEY WORDS:frescoes, mosaics, stained glass, panels, sun, flowers, birds, trees, Newton, Lomonosov, Helmholtz, red, yellow, orange, green, blue, blue, and purple, achromatic, chromatic, monumental painting, creation of colors, young artists, level of vitality.
REFERENCES
1) T. Kuziev, E. Egamov, T. Qanoatov, A. Nurqobilov “Painting” “Art” magazine publishing house Tashkent: 2003.
A. Egamberdiev, S. Saidova, R. Rajabov “History of Fine and Architectural Arts” “Teacher” Publishing House Tashkent: 2007.
2) O. Moyinov “Painting” Tashkent: “East” printing and joint-stock company 2007.
3) G. A. Artiqov. “Painting Techniques and Materials Technology” Tashkent: “East” Printing Joint-Stock Company 2007.
4) S. S. Bulatov Publishing House of the National Society of Philosophers of Uzbekistan “Painting” Tashkent: 2009.
5) R. Hasanov “Fundamentals of Fine Arts” Publishing House named after G. Gulom Tashkent: 2009.
6) B. N. Oripov. Modern pedagogical technology, didactics and methods of teaching fine arts. Tashkent – “Science -Light”
publishing house. 2013
VOLUME 04 ISSUE 07 JULY 2021
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