• editor@ijmra.in
  • ISSN[Online] : 2643-9875  ||  ISSN[Print] : 2643-9840

VOLUME 04 ISSUE 03 MARCH 2021

Adorno and Avant-Garde Music
Ricardo Mandolini
DOI : https://doi.org/10.47191/ijmra/v4-i3-10

Google Scholar Download Pdf
ABSTRACT:

My article explores some aspects of Theodor W. Adorno's work in relation to contemporary music in general and electroacoustic music in particular. Let us recall that Adorno never seriously considered the latter, which he regarded more as a technological bricolage than as a legitimate source for the production of works. One of the purposes of this paper is to demonstrate that under the definition of musique informelle, Adorno opens wide the door to all musics, even those that do not depend directly on musical writing.

KEYWORDS

Musicology – Musical Semiology – Music – Heuristics

REFERENCES

1) ADORNO, Theodor W. – Théorie esthétique, translated by Marc Jimenez, Paris, Klincksieck, 1995.

2) ADORNO, Theodor W. – Quasi una fantasia (Almost a fantasy), translated by Jean-Louis Leleu assisted by Ole Hansen- Løve and Philippe Joubert, Paris, Gallimard, 1982.

3) ARISTOTLE, The Nicomachean Ethics, translated by F. H. Peters, M.A. 5th Edition (London, Kegan Paul, Trench, Truebner & Co., 1893), Book VI, 4, p. 134, the online library of Liberty, Liberty Fund, Inc., online in https://oll-resources.s3.us-east 2.amazonaws.com/oll3/store/titles/903/Aristotle_0328_EBk_v60.pdf.

4) BOISSIÈRE, Anne – Adorno, la vérité de la musique moderne, (The Truth in modern music) Villeneuve d’Ascq, Presses universitaires du Septentrion, 1999.

5) COURT, Raymond – Adorno et la nouvelle musique (Adorno and the new music), Paris, Klincksieck, 1981.

6) DALHAUS, Carl – « La crise de l’expérimentation » (“The crisis of experimentation”), in Contrechamps no 3, Éditions l’Âge d’Homme, 1984.

7) MCADAMS, Stephen, Emmanuel BIGAND – « Introduction à la cognition auditive » (“Introduction to auditive cognition”), Ircam (1993/McAdams 93b).

8) MANOURY, Philippe – « Le transitoire et l’éternel ou le crépuscule des modernes ?( “The transitory and the eternal or the twilight of the moderns?”) » in inHarmonique no 7, janvier 1991 : Musique et authenticité.

09) RATTE, Michel – « Le problème du devenir dans le concept adornien de musique informelle » (”The problem of becoming in Adorno’s concept of musique informelle”), article online in : www.uqtr.uquebec.ca/AE/vol_3/ratte.htm

10) SCHAEFFER, Pierre – « La musique mécanisée » (“Mechanised music”), in Polyphonie, Paris, Richard Masse Editor, 1950.

11) SZENDY, Peter – « Musique, temps réel », Ircam (1988/Szendy 98b).

12) SZENDY, Peter – « De la harpe éolienne à la toile » (“From wind harp to the net”), Ircam (1996/Szendy 96d).

13) Daniel TERUGGI, « Quel esprit pour demain ? »(“What spirit for tomorrow ?”) in La Musique électroacoustique : un bilan (Electroacoustic music , a balance), articles compiled by Vincent Tiffon, Colloquium organized by Ricardo Mandolini and Vincent Tiffon, 2000, CEAC, Lille 3 University, p. 80.

14) VINET, Hugues – « Les enjeux de la recherche et du développement technologique pour la création musicale » (“The challenges of research and technological development for musical creation”), Ircam (1998/Vinet 98a).

15) ZANARDO, Marcelo – « La dialéctica y el análisis musical », (“Dialectic and musical analysis”) article online in www.monografias.com/trabajos15/analisis-musical/analisismusical.shtml

VOLUME 04 ISSUE 03 MARCH 2021

Our Services and Policies

Authors should prepare their manuscripts according to the instructions given in the authors' guidelines. Manuscripts which do not conform to the format and style of the Journal may be returned to the authors for revision or rejected.

The Journal reserves the right to make any further formal changes and language corrections necessary in a manuscript accepted for publication so that it conforms to the formatting requirements of the Journal.

International Journal of Multidisciplinary Research and Analysis will publish 12 monthly online issues per year,IJMRA publishes articles as soon as the final copy-edited version is approved. IJMRA publishes articles and review papers of all subjects area.

Open access is a mechanism by which research outputs are distributed online, Hybrid open access journals, contain a mixture of open access articles and closed access articles.

International Journal of Multidisciplinary Research and Analysis initiate a call for research paper for Volume 07 Issue 04 ( April 2024).

PUBLICATION DATES:
1) Last Date of Submission : 25 April 2024 .
2) Article published within a week.
3) Submit Article : editor@ijmra.in or Online

Why with us

International Journal of Multidisciplinary Research and Analysis is better then other journals because:-
1 : IJMRA only accepts original and high quality research and technical papers.
2 : Paper will publish immediately in current issue after registration.
3 : Authors can download their full papers at any time with digital certificate.

The Editors reserve the right to reject papers without sending them out for review.

Authors should prepare their manuscripts according to the instructions given in the authors' guidelines. Manuscripts which do not conform to the format and style of the Journal may be returned to the authors for revision or rejected. The Journal reserves the right to make any further formal changes and language corrections necessary in a manuscript accepted for publication so that it conforms to the formatting requirements of the Journal.

Indexed In
Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar Avatar